sonnywortzik:

… yes, all of my life I have lived in a painting called Paradise
with its frame of black varnish and gold leaf, and I am told some girls
slide their fingers over the frame and feel the air outside of it,
and some even climb over the edge and plummet into whatever 

is beyond it. Some say it is hell, and some say just another, bolder
paradise, and some say a dark wilderness, and some say an unswept
museum or library floor, and some say a long-lost love waits there
wearing bloody riding clothes, returned from war, and some say
freedom, which is a word that tastes strange, like a green plum.

Diane Seuss, from “I Have Lived My Whole Life in a Painting Called Paradise,” Still Life with Two Dead Peacocks and a Girl

(Source: lifeinpoetry)

weltenwellen:

“I wanted to explain myself to myself in an understandable way. I gave shape to my fears and made excuses. I varied my velocities, watched myselves sleep. Something’s not right about what I’m doing but I’m still doing it— living in the worst parts, ruining myself. My inner life is a sheet of black glass. If I fell through the floor I would keep falling. The enormity of my desire disgusts me.”

— Richard Siken, from “Birds Hover the Trampled Field”, published in “War of the Foxes

(via achelion)

violentwavesofemotion:

“Everything rough becomes delicate when you love it. More roses, more roses, more roses.”

Juan Ramón Jiménez, tr by Robert Bly, from “Parsley Crown,” wr. c. 1916

(via alienpunker)

medusabraids:

no song will be as sexy and romantic as her by majid jordan

"Falling in love was simple; one had only to yield. Digesting another person, however, and sustaining love, was bloody work, and not a soft job."

Hanif Kureishi, Midnight All Day (via books-n-quotes)

(Source: booksnquotes.com, via wraithlings)

"Everyone is dying, everything is dying, and the earth is dying also, eaten up by the sun and the wind. I don’t know where I get the courage to keep on living in the midst of these ruins. Let us love each other to the end."

George Sand, in a letter to Gustave Flaubert (via nemophilies)

(Source: luthienne, via nemophilies)

"I have been defined / by what is taken from me."

Ailey O'Toole, from “Flight / Fight / Freeze,” published in 8 Poems (via lifeinpoetry)

(Source: 8poems.com, via lifeinpoetry)

humalien:

SAFETY PIN BROOCHES FROM A.F. VANDEVORST

(Source: humalien, via demo02)

"Her pleasure […] must arise from the view of the last smiles of the year upon the tawny leaves and withered hedges, and from repeating to herself some few of the thousands poetical descriptions extant of autumn, that season of peculiar and inexhaustible influence on the mind of taste and tenderness—"

Jane Austen, Persuasion (via antigonick)

nevahosking:
“hmmm
”

lifeinpoetry:

The loneliness is profound. 

It morphs the telephone’s pitch to a burden

[…]

At these times I ask of no-one and no-one asks of me.
I am free in my abandon and shackled in the same way.
I am sick, though nothing bleeds.

Melissa Lee-Houghton, from “Fluctuations,” Bite Your Tongue When you Give me My Name

(Source: lifeinpoetry)

lifeinpoetry:

I scratch my skin. Blood sprouts and blooms slowly. I put my tongue to it. It’s
sweet like black raspberries. I want to sleep, to be carried.

Elizabeth Schmuhl, from “#87,” Premonitions

(Source: lifeinpoetry, via tenderwoolf)

inneroptics:
“ Zdzisław Beksinski
”